13.10.2026, 17:09
NewsPolygon
Unheard is a narrative-centric detective game. Put on your headphones and step back into the past. Use the voices you hear to return to crime scenes, tracking down each individual involved and solving the cases! The game puts players in the role of a time-traveling detective who is only able to use one sense, sound. Also, the game’s story is a non-linear experience. Players must build their own timelines from the clues in conversations they overhear.
Step through time as you use our device to eavesdrop on conversations from past crime scenes. Every clue, every move, and every motive will be presented in the form of audio. Rather than controlling any one character, you only need listen to their conversations, following along as the story evolves. Use the information you hear to match names to voices and determine how everything (and everyone) is related. Can you discover the truth?
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Datos técnicos unificados de Steam, Steam Deck, ProtonDB, PCGamingWiki e IGDB.
| Idioma | Interfaz | Voces | Subtítulos |
|---|---|---|---|
| Inglés | |||
| Simplified Chinese | |||
| Traditional Chinese | |||
| Japanese |
Official minimum and recommended hardware configurations.
Top helpful player reviews pulled directly from the Steam open registry with verified playtime hours.
Brilliant game, the concept of reviewing criminal cases by only listening to audio recordings is very unique. Each case had kept me interested and wanting to know more. No case felt like a chore in the play through. However the game is pretty short and once you solved the cases there really is no need to replay other than trying to unlock all the achievements. I really hope in the future there will be plans to add more cases to solve. Overall, i would give this game a 8/10
Advanced TOEFL Listening section
I love detective games. I enjoy the challenge of cracking a case. Detective games don’t need to be long -- the story just needs to be good, and the mystery engaging. Needless to say then that Unheard is an appealing game to me from the start, and it is a fun, innovative one as well. Some detective games include a mechanic (or gimmick) or two that differentiate themselves from the others, making the case-solving more interesting. L.A. Noire requires you to examine your suspects’ facial expressions; Her Story involves unearthing video clips using keywords to slowly piece together the actual narrative; Orwell has you make decisions about conflicting evidence that can alter how the story unfolds. The hook in Unheard is that you investigate crime scenes by just listening to conversations and ambient sounds. While you can move around a crime scene virtually, you as the character are not ac
Possibly the purest "detective simulator" I've ever played. No hints, no markers, no automatically made deductions. It's just you and the raw evidence.
Point-and-click-ish detective game. In this game, you listen to audio recordings of 5 crimes and try to solve them. I wouldn't recommend playing it if you get overwhelmed by sounds easily, as there are a lot of overlapping sounds at the beginning and end of each chapter, as well as 2 bombs in chapters 3 and 5 respectively. You can mostly tell when they're coming (towards the end) but still How does the game work, though? Well I'm glad you asked. So, you're basically given an audio recording and a map of an area, and a little dude as your character. You move your character from room to room, listening to people's conversations to solve the crimes. You have notes and nametags available to you, and you can stop, rewind etc the audio as many times as you'd like. You match the nametags to people and watch them move around. You can write yourself notes to keep track of what's happening in
Unheard is basically a combination of The Case of the Golden Idol and Telling Lies. You play as a detective wired to an experimental machine that allows you to listen to all conversations of various people in different rooms in a building. Your goal in each case is to follow them around, collecting information and context, and answer a series of questions about the whole thing (like who the culprit is). The detective aspect of the game is less compelling than The Case of the Golden Idol or Return to Obra Dinn. You do have to connect some dots sometimes, but often characters just spell everything out and admit their wrongdoings — you just need to find them. The dialogues themselves are terribly overacted and unnatural. Moreover, the game suffers from the same issue Telling Lies did: downtime. There is a decent fast forward button, but you still spend too much time just waiting for a per
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