“ANOMALITH” is a survival third-person shooter set in Japan, steeped in the atmosphere of liminal spaces and Showa-era retro aesthetics. To search for her missing friend, a girl steps into a world writhing with anomalies.
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Unified technical telemetry aggregated from Steam, Valve Steam Deck, ProtonDB, PCGamingWiki, and IGDB.
| Langue | Interface | Audio complet | Sous-titres |
|---|---|---|---|
| Anglais | |||
| Simplified Chinese | |||
| Traditional Chinese | |||
| Japanese | |||
| Korean |
Official minimum and recommended hardware configurations.
Top helpful player reviews pulled directly from the Steam open registry with verified playtime hours.
The most immediate and obvious problem is the price tag and release timing. $50 does feel high, especially considering Phantom Blade Zero releasing later today for only $10 more and looks to be an incredible game. So if price/money is a concern then its completely understandable to pass until a sale or at least wait for people to get far enough in to see if there's lots of value. All that said, I really like this kind of game. Getting dropped into a zone to explore, fight creatures and find loot to upgrade your weapons and gear is a gameplay loop that just hits hard for me. It reminds me of Raid Mode in the Resident Evil Revelations games which I also think is the best minigame Capcom ever made (and I wish they'd revisit...). The characters are typical anime nonsense which is fine for me as the story and concept is interesting enough as a backdrop. Anomalies and weirdness pop up and
First, I need to convey about the price, which is quite high or so pricy for an indie game roughly $40. This is nearly the same price point as Phantom Blade Zero, a AAA title released around the same time as Anomalith. What initially drew me to Anomalith starting from its first trailer was the beautiful original soundtrack by Yuka Kitamura, combined with a retro aesthetic, a thick, immersive atmosphere, and a core focus on monitoring strange phenomena (anomalies). Personally, I’m a big fan of the analog horror genre and psychological games enjoy titles like I'm on Observation Duty and The Exit 8, as well as the Backrooms aesthetic. The game blends a retro, PS1 era visual style with modern mechanics, creating a strong sense of nostalgia. The immersive audio design and retro visuals work together perfectly to enhance the psychological horror atmosphere. On the downside, the pacing can
The game itself is rather good. Nice mix of Resident Evil and your typical anime tropes. However I will be putting this down as a negative review. Because of the price itself. Currently in the UK this game costs £49.99 on Steam. (Without the -10% off) On the Playstation store. The game currently costs without discount £39.99. I rarely, see full price titles on Console be cheaper than PC. I don't understand why the price is this high. While the game is enjoyable, I do not believe anyone should pay for this at full price.
Buy it on sale, don't pay more than $25 Bucks. Around 20 hours if you rush the story. Around 35 to 45 hours to 100% The game is worth that price, but nothing more. It is janky, riddled with bugs (at least at the time I'm writting this review, which is 3 days after launch), and very, VERY MUCH a mixed bag that you will either hate, or love, or both. Game balance is a mess Gunplay and overall gameplay is fun but lack depth The looter-shooter mechanics are ok Graphics are serviceable Performance is BAD Setting, Atmosphere, and Art Direction is immaculate, 100% will make you feel unsettled at least once. Storytelling is ok Lore surroinding the game is 1000/10 PERFECT. So much thought behind the world. Voice acting is great when they feel like using emotion. Seriously. It is a mixed bag.
Product refunded Its not bad, but not at this price. Combat is fine, but enemies simply spawning in combat (sometimes directly behind you) is just lazy, at least give them an animation of coming from the walls or whatever. The melee attacks seem too strong compared to guns. Within 3 hours of gameplay I got to the 2nd area and the enemies were exactly the same as before, simply stronger and/or recolored. I hate how the scanner thingy is in your face 90% of the time, but playing without it is simply asking to skip loot. There were some bugs where I could walk around while in menus.
Bad performance, janky gameplay, annoying characters always saying the same 3 voice lines every time you do anything. Basic things like the players footsteps aren't timed correctly, looks like you're ice skating around. The game starts with a warning that streaming this game online is illegal - since the concepts in this game are literally borrowed from Control, the only reason they don't want people streaming is that they'll see how bad the game is. They're asking 50$ for a game that has 4 enemy types, stiff gameplay, and characters that are less likable than the ones ordering Dylan around in Control 2. The devs did NOT playtest this, if they did then they''d immediatly see it's not fun, it's in no way polished, and the voicelines are just annoying. "There's an enemy!" "Hit it now!" "Good job!" over and over and over at every encounter.
Structured threads, verified dev answers and player expertise without chat noise
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